Dxo photolab 2 smooth faces11/4/2023 You can also now quickly select the profile that was used when shooting with the camera, and also, have this applied automatically. It is also possible to automatically apply the camera body rendering to Fuji RAW images using a new option in the preferences panel.įrom what I understand from this, you no longer need to have DXO Film Pack installed to get access to the Fujifilm Film Simulation modes (I’m trying to verify this). Read on for more details Fuji X-Trans ImprovementsĪfter introducing X-Trans compatibility in PhotoLab 5.0, version 5.2 now brings Fujifilm Film Simulation compatibility within the color rendering palette. It also makes us aware of a bug in the latest MacOS and offers a work around. It brings improvements to Fuji support and improves the way Fuji cameras are handled in an important way. I don’t know when exactly this was as there was no press release or anything and I wasn’t really paying that much attention to the software update notices, but it’s actually an important release for two reasons. It also fixes problems that many photographers will be working quite hard to avoid in the first place.DXO quietly released the latest update to DXO Photo Lab sometime recently. When it doesn’t, it’s a bit disappointing, especially in view of the cost and the time it takes. When it works, Topaz Photo AI is very good. Topaz Photo AI is expensive and quite slow to use, and while it can fix some photo problems remarkably well, they have to fall into what I’ll call its ‘fixability window’, and you have to have enough of these problem photos in the first place to make it worth the cost. With phone images I found it tended to upscale the phone processing artefacts rather than finding or adding new detail. The upscaling works really well on images with good intrinsic detail and not too much processing – such as those from a DSLR or mirrorless camera. The Upscale and Enhance Resolution tools will often be used together. There is a ‘processed’ look about the results, but it’s still an effective tool for rescuing or enhancing unrepeatable people shots. It works surprisingly well on people who are just out of focus or not quite sharp. The Recover Faces tool kicks in when the software recognizes faces in the frame and thinks they need fixing. Shots that were just slightly soft underwent a pretty dramatic transformation, and shots with poor focusing had variable outcomes – often with obviously processed edge detail and ‘filling in’ of the sort you see with over-processed phone images. I found that shots on the wrong side of its ‘fixability’ threshold were made worse – including any kind of double-image blur from camera shake. The Sharpen process can be spectacular or bad, depending on the image. I wouldn’t put this in the same league as DxO’s DeepPRIME XD processing. I found myself pushing the Detail slider up to maximum and the Strength slider down to zero to get results that looked smooth and crisp. The noise removal is very effective but quite aggressive by default. The results vary, depending on the quality of the image you’re starting from and its particular issues. The recovered detail in the rocks and the leaves, top right, is pretty remarkable. This is the most spectacular outcome, though the Autopilot didn't think this needed sharpening it all, so it was done manually.
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